artVenture 2016 - Girl Scouts fundraiser

"Abduction Hour" by Jessica, Megan, and Rhianna
12" x 12"; fused glass

 For this year's artVenture workshops, I invited Daisies and Brownies to the studio for one session and Juniors and Cadets in for another session. During the studio visit, I like to bring them into Architectural Glassarts so they can see a real, working studio.

"Amazing Life of a Girl Scout" by Kyleigh, Steph, and Morgan
12" x 12"; fused glass

 While we wait for everyone to arrive, I like to start a casual conversation with the girls that are there to find out where they go to school, how old they are, learn their names and hopefully open up the conversation so that they can make new friends and start getting comfortable with other girls that they may not already know.

"Sunset Trio" by Haylee, Carly, and Hailey
12" x 12"; fused glass

It's important that they be comfortable enough with each other to be able to communicate and share their ideas because they need to collaborate on a piece of art that will go up for auction in a few months at the annual artVenture gala.

"Prairie Sunset" by Abbigail, Sierra, and Faith
12" x 12"; fused glass

 In years past, I've brought in images of famous artwork for the girls to get inspired by and recreate in glass. This year, I brought in images for the older girls to look at and be inspired by. But, I asked them to put a name on what was inspiring them about the particular images they chose. Then, we divided into groups based on the images that everyone felt drawn to, and each group discussed the ideas that they had for subject matter for the collaborative fused glass art piece. Some groups were on exactly the same page, while others had a more give and take design process. The 12" x 12" pieces were made by the Juniors and Cadets.

"Girl Scout Sunny Moon" by Alexa, Olivia, Sarah, and Mikayla

 With the Daisies and Brownies, we talked about symbols and their meanings instead of looking at artwork. Each group came up with a list of symbols that they wanted to work on. Once an symbol was agreed upon, they sketched out their ideas and then those sketches were blown up to fill a 12" x 12" paper.

"Bounce Winner" by Delaney, Jordyn, Ella, and Mikayla

Each group learned how to safely cut glass using mosaic nippers. Then, the learned how they needed to fill in their design and add bridges, making sure all the pieces overlapped so they would fuse together in the kiln.

"Silent Sunrise" by Elizabeth, Kaitlyn, Ashley, and Adryanna

 After making their collaborative pieces, all the girls made something that they got to keep for themselves after going into the kiln.

"Magically Wonderful Gem" by Abby, Vittoria, Margaret, and Willow

To see all the pieces in person, make sure to join us at the artVenture gala!

Sunday, April 24, 2016
3–5 p.m.
Lincoln Station Great Hall
201 N 7th St., Lincoln

Nebraska Landscape Commissioned Lightbox

Detail of fused glass hills, mosaic flowers,
painted church and cloud.

During my last visit to Flowing Stone Art Gallery in Beatrice, Nebraska, I was able to slip into the public library to see my piece installed. The remodeling of the library has taken a bit longer than planned, so the piece has been waiting to go up for awhile. It looks so great on the wall, all lit up in it's own framed light box. I heard that the family who commissioned it was all really excited to see it and happy with how it turned out. It's a memorial piece for their father, and they all agreed that he would have been very happy with it.

Installed on a basement wall within a light box.

The window is a combination of techniques in glass. The whole thing is leaded together in the traditional leaded glass technique. The cloud and the church are painted on with stained glass paints that are fired in the kiln to be permanent. The flowers are glass on glass (GOG) mosaics, glued and grouted, then leaded into the panel. The landscape glass is all fused glass, with several bits of glass tacked together to make it layered and textured.

To view the window in person, visit the newly remodeled Beatrice Public Library.

Nebraska Art Teachers Association Fall Conference ~ Mosaic Glass Workshop

Post by CalyxAnn.

artVenture 2014 - Girl Scouts and Fused Glass

Interpretation of Wassily Kandinsky's "Circles and Squares"

 This year's artVenture collaboration took place once again at Architectural Glassarts in Lincoln, Nebraska. For the collaborative pieces, the girls picked a master's painting to interpret with fused glass. Check out this great article in L Magazine to read all about it and see more pictures!

Interpretation of Claude Monet's "Waterlilies"

Interpretation of Claude Monet's "Waterlilies" - detail

Interpretation of Vincent Van Gogh's "Starry Night"

Interpretation of Paul Klee's "Lagoon City" - backlit

Interpretation of Paul Klee's "Lagoon City"

Fused Glass Nightlight

Fused Glass Nightlight made with 96 Cane

Fused Glass Fun with Girl Scouts

The girls creations at the end of our 2 hour session.

As a Girl Scout Community Collaborator, I work with Girl Scout troops to create glass art. Sometimes we meet for mosaics, but this post is all about glass fusing! Earlier this year, I worked with a Girl Scout troop from Council Bluffs, Iowa. There were 6 girls able to attend the meeting. We talked about how glass is made, how to "play" with glass safely, and how to create art with glass.

A kiln full of glass before firing.

I give each girl two sheets of clear glass; one for a plate and one for a sun catcher. After digging through my scraps and piecing together their larger pieces, they can make pendants (or magnets) for the rest of the session. Generally, each girl will finish all three projects. Some may end up with more pendants, and some spend a lot of time piecing together the perfect plate (and need help from mom or friends to finish other projects).

Same kiln - after firing.

After our session, the girls go home and I get to work! After cleaning up the work area and letting the glue dry (so the pieces don't shift on the way to the kiln), I prep the kiln for firing. I need to coat the kiln shelves with kiln wash to prevent the glass from sticking to the shelf permanently. Then, I need to let the kiln wash dry or else the glass pieces end up with kiln wash stuck to them! I generally speed this part up by running the kiln up to 500ºF for 30 minutes and then letting it cool back down to room temperature.

Close up of plates pre-fire

Now that the kiln is prepped, I can load all the pieces in it. If I'm lucky, I can fit everything in the kiln at once. However, since I seldom give strict rules when the girls are constructing, I'll sometimes have one piece that needs to go in the kiln at a different temperature. This is a decision I make based on my years of experience firing glass taking into consideration how much glass has been used, whether or not it's even across the entire sheet of glass and how I know the glass will act in the kiln.

Detail shot after firing.

The glass comes out of the kiln in one piece, but it's all flat. For the plates, I need to put the glass back in the kiln in molds to shape them and make them three dimensional. This is done in a separate firing because the temperature doesn't need to get as hot as it did for fusing the glass together. (By the way, glass fusing temperatures are around 1480ºF, whereas slumping temperatures are only around 1250ºF.)

Fused glass sun catchers after firing.

When all of the glass is finished firing, I clean up the edges. Sometimes little bits of glass will end up grabbing the kiln shelf and creating needles. I grind those off so that the glass art doesn't bite! Then, I wrap it up so it won't break and label it with each girls name, and they're ready to be picked up! Generally the whole process takes 5-7 days. If this is something you'd like to do with your Girl Scout troop, please contact me for a list of available dates. Current pricing is $25 a girl, which is a steal!

Each girl made one plate, one sun catcher, and as many pendants as she wanted in a 2 hour session.

artVenture 2013 - Girl Scouts and Fused Glass

Getting started - talking about how glass is made.

This year's artVenture took place once again at Architectural Glassarts in Lincoln, Nebraska. Thanks again to Rod Scott for his generosity in offering up his space!

We started out talking about how glass is made, how it comes to the glass shop, how to cut it and what happens after it goes in the kiln.  After the girls piece together the glass to create their design, the plates go into the kiln for an initial fusing that makes all the separate pieces into one. Then, the flat pieces go back in the kiln to get slumped into a mold. When, they come out of the kiln after the second firing, they have taken on the shape of the mold. Each group was given glass that was pre-cut to match the molds on their table.  We broke into groups and started brainstorming themes for our pieces. 

"Cold Blaze"
6.75" x 14.5"
Artists: Kaity, Jessie, Haley

Kaity, Jessie and Hallie created "Cold Blaze," a combination of an underwater scene under a blazing sunset. Can you see the fish, turtles and sea plants?

"Four Seasons"
set of four: 5.75" x 5.75"
Artists: Belle, Emma, Carrie

Belle, Emma and Carrie came up with a seasonal theme to go with the four molds they were presented. Clever, huh?

"Sunsets"
8.5" x 8.5"
Artists: Paige, Anna, Hallie

Paige, Anna and Hallie created an abstracted sunset for their piece...

Part sheets created for "Fireworks"
Artists: Noa, Laci, Krista, CJ, Jenny, Madison

...which leaves the last and largest group. This group of 6 were given glass blanks, but no mold. Generally, I coach the girls as they make their collaborative pieces which are donated to the artVenture auction. Additionally, I submit a piece of my work to be auctioned. This year, I wanted to try something different for the last piece. So, the girls made the blanks that would be cut up to become a larger panel that was pieced together and framed by me. I wasn't sure how they would react to the suggestion that they would make something specifically so it could be cut apart again. However, I think the fact that they don't get to keep the collaborative piece anyway really helps. (All the girls do get the chance to make fused glass pieces to take home. This year they all made 4"-6" plates and jewelry pieces.)

"Fireworks"
26" x 10.5"
Artists: Noa, Laci, Krista, CJ, Jenny, Madison
Pieced together by Carrie Strope Sohayda

I absolutely love how the panel turned out and once again all the girls made fantastic fused glass art!

May Exhibition at Meadowlark Coffee

During the month of May, I'll have some of my fused glass, stained glass and mosaics on display at Meadowlark Coffee in Lincoln, Nebraska. My friend Lilith has hung her paintings alongside my work, and I think they complement each other nicely.

If you're in Lincoln, stop by and check it out while having a cuppa joe or tea!

Undersea Gardens Plate Using 96 Cane and Sumpy's New Ripple Swoop Mold

Carrie Strope Sohayda ~ "Undersea Gardens" 12" x 6"

Materials:

• 1/4 lb 96 Fusing Canes Alternating 3 Red 2 Aqua Inner Helix
• 1/4 lb 96 Fusing Canes Green 5 Line Inner Helix
• 1/4 lb 96 Fusing Canes Cobalt 5 Line Inner Helix
• Spectrum System 96 Dark Blue Transparent
• Spectrum System 96 Clear
• Spectrum System 96 Cherry Red Transparent
• Spectrum System 96 Medium Green Transparent
• Spectrum System 96 Deep Aqua Transparent
• Slumpy's SM-6130 Ripple Swoop Mold
• HoneyDoo Zuper Glue 

Tools:

• Mosaic Nippers
• Fine Tip Sharpie
• Ruler
• Glass Cutter
• Running Pliers
• Safety Glasses
• Kiln
• Papyros Shelf Paper
• Kilnwashed Kiln Furniture

1. Begin by cutting glass and nipping cane.
•Cut two 2” x 12” and two 1½” x 12” pieces of clear glass.
•Cut two 1½” x 12” pieces of dark blue glass.
•Cut two ⅜” x 12” strips each of dark blue, cherry red, medium green, and deep aqua.
•Mark fusing cane at 2” lengths. Using mosaic nippers, cut fusing canes in each color to 2.”

2. Layout pieces according to pattern.
•For the first layer, lay down smaller piece of clear glass in the middle. On either side, place the
strips of glass on edge, and then lay down the  dark blue pieces of glass to the outside.
•For the second layer, place the two remaining pieces of clear glass on top of the dark blue, and lay the cane out across the clear piece in the middle, securing the outer pieces with a dab of glue.

TIP: If you build on a piece of cardboard, you can easily transport and load the pieces into the kiln.

3. Full fuse & then slump.

Pattern Alterations: •To eliminate strips, add ½” to
the width of the dark blue and clear rectangles.
•To avoid using kiln furniture or fiber paper dams,
cut two ½” x 2” pieces of dark blue & clear to hold
the fusing cane in the middle section.

FIRING TIPS:
•To prevent the fusing cane from shifting off of the base layer of glass while firing, use kiln dams
against the ends. If you don’t have dams or fiber paper, you can alter the pattern using the above
instructions.
•If you want to eliminate bubbles from between the canes, space the canes so that there is a little
wiggle room between the pieces.

Suggested full fuse firing schedule:

200 dph to 1000ºF hold for 45 min
50 dph to 1250ºF hold for 25 min
500 dph to 1450ºF hold for 45 min
full to 1000ºF with no hold
200 dph to 950ºF hold for 60 min
100 dph to 800ºF with no hold
300 dph to 120ºF  with no hold

NOTE: This is a fairly conservative firing schedule, but you may need to make changes based on your kiln.

Glass Gospel

Daily Nebraskan journalist, Kelsey Lee came over for a visit a few weeks ago. I showed her some different glass techniques and talked about why I love glass. Check out the great video she put together!

Glass Gospel from Daily Nebraskan on Vimeo.

Frit Mandalas Using Glassline and No Days Liquid Fusing Adhesive

If you're interested in purchasing the plates below, they're currently for sale at the Noyes Art Gallery in downtown Lincoln through the month of April. After that, perhaps I'll list them on Etsy. Contact me if you're interested.

Ready to fire in the kiln

No Days Liquid Fusing Adhesive can be used with frits to easily create complex designs. In this set of Mandala plates, I've added Glassline Pens to the mix to add extra layers and dimensionality.

Base layer of clear becomes the clear cap

artVenture 2012 Fused Glass Plates

"Garden Plaid"

This year's group of Girl Scouts met me at Architectural GlassArts again for our fused glass collaborations. Girls age 8-16 years old participated, with most of the girls being in the 10-12 year old range.

Valentine's Date Night at the LUX - fused glass plates

The Party Table!

What better way to spend Valentine's Day, than hanging out with your sweetie and being creative with glass?!? That's what we did this year at the LUX Center for the Arts in historic University Place, Lincoln, Nebraska.

Christy and Carl with an OU plate?

Six couples joined me for music, treats and fused glass fun! We all worked on plates (and pendants or sun catchers).

More Snowflakes at the LUX

For the second session of fused glass snowflakes this year at the LUX Center for the Arts, we weren't at the LUX! Winterfest 2011 was in full throttle at the LUX, so we were fortunate enough to be able to use a conference room at Ayers and Ayers, Inc. The facilities were incredible, as it's a LEED certified building structure and just has some pretty amazing technology!

I was not the only one who loved the digital "dry erase" board :)

After we finished sketching out our ideas on the board, we sat down to puzzle out our pieces, beginning with the templates for our snowflakes...

Drawing out the templates for our snowflakes.

Next, we needed to get busy measuring and cutting our strips of glass...

Assembling Fused Glass Windchimes

Fused Glass Snowflakes at the LUX

The fused glass holiday season has begun 

at the LUX Center for the Arts!

   My first group of students for the season was ready to jump right in! I got lots of great photos of them all working...Since all of the students are newbies and it's a short family class, the easiest way to get started is to use mosaic nippers and cut strips down to glue together in a snowflake pattern.

Getting started...

My favorite part of these classes is seeing the color combos that everyone chooses...

Glassline Paints on Clear Glass

Got a bunch of clear glass scrap & wish you could dress it up a bit?

Need a bunch of color, but can't afford all of them?

I love using Glassline paints to create patterned glass and this technique is one of the easiest ways to get a complicated look. Shake the bottles well and add water if you need to thin them out. Use a skewer if you need to stir. I always start my line in an extra bowl, to make sure that the consistency is right. This bowl becomes my bowl o' brown. All of those colors mix and dry in the bowl, then when I want a brown wash, I add water and brush it on the glass.